| NAJM: How did the three of you come to form the group, Sugarglider? |
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| SUGARGLIDER: I knew Steve Mortimers brother Simon, who was a drummer in a band. Steve had been DJing, and he wanted to get together with some other musicians to do a dance thing. We got together and knocked some tunes about, and then asked Barbie if she wanted to come in on vocals. | ||
| NAJM: Sugarglider is some of sort of a flying squirrel thing. How did you choose the name for your band? | ||
| SUGARGLIDER: Originally, we wanted to be called Angelfish, but then we found out that Shirley Manson was in a band called Angelfish before she was in Garbage. One night we were watching TV, and there was a nature show on about Sugargliders. We thought that would be a cool name. No weird connotations, you have to be careful with names these days! | ||
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Doing things Yourself |
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| NAJM: In addition to being in the group, you also run your own label, ADSR Records. How did that come about? | ||
| SUGARGLIDER: When the three of us first started doing songs together, we sent them off to a few record labels and generated some interest. We had demod for a couple of pretty big labels, but they wanted us to be something else. Wed give them something, and the label would say wed like you sound a bit more like so and so. We didnt like that. We had a lot of interest from major labels, but they had different plans. We decided to do it ourselves. | ||
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NAJM: It was only after the labels told you that they wanted you to do their thing, that you all decided to do your own? | |
| SUGARGLIDER: Yes, they were like, well sign you for 9 or 10 years or a bunch of albums, but you will sound like Celine Dion with a dance-backing track. We simply werent willing to compromise. So we did it ourselves. | ||
| NAJM: What kinds of challenges have you faced as a new label in the UK while still creating music as a group? | ||
| SUGARGLIDER: The music almost has to come secondary to the label. Trying to be artistic, run the label as a label, youre trying to sell the band. People will call you up and say that they like it or thought it was shit. We have to put our label hat on and say okay, even though you want to kill them. Everything has to be in separate boxes. One day youre the label, the next youre the artist. | ||
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Coming to America |
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| NAJM: Bee Sting Smile is your first single and was first released by you on ADSR in the UK. How did you manage to have the single released here in the States? | ||
| SUGARGLIDER: We read about the NAJM website and I contacted Mark Hagan with an email asking if he was interested. We sent over the 12-inch and Mark emailed me back and said he loved it and wanted to use it on a NAJM compilation album. It then turned into a full-fledged debut release for NAJM. We sort of went from there. | ||
| NAJM: When you were shopping your 12-inch to other labels, why did you choose NAJM Records? | ||
| SUGARGLIDER: Mark, in particular is very enthusiastic. When you meet people, even over the phone, you get a feeling. He had so much belief in Bee Sting Smile and this was someone who I had never met face to face. You have to be very careful because you get people who say they are interested and will lead you up the golden path. Mark and I were talking nearly every day about working together. That sort of commitment and belief I think its good. Its nice that someone comes in from the outside and likes the record, or the band that much. We felt we should go with it. | ||
| NAJM: When you released Bee Sting Smile in the UK it did very well. Your initial run sold out quickly. What were your expectations for North America? | ||
| SUGARGLIDER: Well, I hope we knock Mariah Carey off of #1 in the first week. <Laughs> | ||
| NAJM: <laughs> | ||
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Laying the foundation... |
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| SUGARGLIDER: We want the single to lay the foundation for people to know more about us, both the single and NAJM. It will be a base for us. Bee Sting Smile is there for everyone to get their names around. North America is such a massive country and you have to win each city or state one by one. It can take a long time to break a record. The expectation is to get grounded in the market, so when the second one comes out everything will hopefully be in place. We want to get good press, and good contacts so that the expectation will be there for the second single, and people will know Sugarglider and NAJM. | ||
| NAJM: When you released Bee Sting Smile in the UK, was it the same type of issue, just laying the groundwork? | ||
| SUGARGLIDER: Yeah. People will ask, did you make any money? You dont. If youre not willing to commit yourself and put your work out there you wont make money. We did a 500 initial run and it sold out. That was all the mattered. We got great press and radio airplay. We had a list of what we wanted to do, and we hit all those. We didnt try to take on anything massive, but we accomplished what we wanted to do. | ||
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Drip Honey on my tongue... |
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| NAJM: Drip honey on my tongue, from your Bee Sting Smile, what is Bee Sting Smile about and what was the inspiration behind the writing of it? | ||
| SUGARGLIDER: <Barbie>. The inspiration behind writing it was basically a book that I had been reading at the time. A British sci-fi writer called Jeff Noon, I dont know if youve heard of him? | ||
| NAJM: No I havent. | ||
| SUGARGLIDER: <Barbie> The book is called Pollen. Hes kind of a cult writer for the British book scene and he gets into music and other things. Hes a pretty cool guy who used to be a DJ. The book is based in Manchester and is kind of way out. Its a futurist book about a weird cloud of pollen descending on Manchester and killing the people. A team get together to try and figure out the cause. Its just a cool book and brings all sorts of images to mind. | ||
| NAJM: And Bee Sting Smile popped out? | ||
| SUGARGLIDER: <Barbie> Id finished reading the book and we were getting this track together. Phil comes up with the basic stuff on the acoustic guitar and then I start warbling over the top. The lyrics to Bee Sting Smile just kind of came to me one rainy Saturday. | ||
| NAJM: We here at NAJM have talked about it so many times, and we had several ideas about the meaning behind the song. | ||
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Uplifting |
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| SUGARGLIDER: <Barbie> It is an uplifting song. A lot of my previous songs tended to be dark and a bit of gloomy. I guess Id been listening to too much Nick Cave, and Phil would be like, cant you write something more uplifting? What do you think of when you hear Bee Sting Smile? | ||
| NAJM: Its light and airy and fun, which is what dance music is about to me; feeling good and being your self. The song is very strong, commercially appealing, yet deeply rooted in the progressive house dance genre. Its very good and generating a lot of buzz (pardon the pun) over here! | ||
| SUGARGLIDER: <Barbie> Glad that you like it. | ||
| NAJM: One of the best things going out there right now! | ||
| SUGARGLIDER: <Barbie> Were very pleased. Sunscreem and D-Bop really liked it and agreed to do the remixes. When you start getting positive feedback, you think, we were on the right track, people do get what were trying to do. | ||
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The Sunscreem Connection |
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| NAJM: Did you have any creative input with the Sunscreem of D-Bop mixes? | ||
| SUGARGLIDER: Yes. We always do that. | ||
| NAJM: As a new artist, how did you get a big name like Sunscreem to remix your project? | ||
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Steve Mortimer used to work in a record store in Chelmsford. There
was a track Steve had done that we hadnt really done anything with. Lucia from
Sunscreem had come into the record shop looking for Luv U More on Japanese
import and Steve would always deal with her. He passed the track he had done on to her and
then Paul and Lucia (collectively Sunscreem) contacted us. They came into the store and
told Steve, we love this track we want to do it. They ended up releasing as the single,
Catch. In return, they invited us into their studio up the road, and
weve since become good friends. |
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| NAJM: Did Sunscreem have any input into the production of the single? | ||
| SUGARGLIDER: They engineered Bee Sting Smile. They have a nice studio. We go there to master. They have loads and loads of gear. They also have a ton of experience. They engineered and offered their thoughts and ideas. It was great to team up with them because they are very positive about stuff. | ||
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Crossing the Atlantic |
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| NAJM: In the US DJs perk up when they see Import on a release. Are UK artists concerned with how they are released here in the States? | ||
| SUGARGLIDER: Yes, I think so. The English hold dance in high regard and North America is just so big. A lot of people felt like the UK didnt matter anymore because things are starting to blow up in the States, with Digweed, Sasha, etc. Its going from underground to breaking. | ||
| NAJM: The US tends to lag very far behind the dance music industry in the UK. Why do you think it is very much more mainstream in the UK? | ||
| SUGARGLIDER: North America is such a big country. You have cities that endorse dance culture, but you have a lot of other cities that dont. Britain is very small. There are two or three clubs in every town. The majority of people do go clubbing. Kids dont buy guitars anymore, they want to buy a pair of decks, and they are in every record shop all the time. In North America there are many more things to do. America is lagging to the UK right now, but there is some really good stuff coming out and they are catching up really fast. | ||
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The Next Single |
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| NAJM: Youve recently released Let Me In in the UK with some pretty big remixers in the business, tell us a little bit about it? | ||
| SUGARGLIDER: After doing our 500 run of Bee Sting Smile we got a lot of response and a few people came forward and said theyd like to remix our next release. Cass & Slide who at the time had two releases out we caught them on the upside to do a remix. We also had Black Dog do a remix who havent done anything for ages. Were had a couple of others done as well. It just shows you the power of what you can do. We released it in the UK in October. Its had great reviews in every magazine (5 out of 5). Its doing extremely well. Weve already shipped over 3,500 units, a big jump from 500! | ||
| NAJM: Yes, sounds like youre on your way! | ||
| SUGARGLIDER: The DJs are helping to drive the numbers up. The single has the Cass & Slide version, Black Dog and our version. Its really good. | ||
| NAJM: Youve worked with some really big names. Sunscreem, Cass & Slide, and Black Dog, who in the future would you like to work with? | ||
| SUGARGLIDER: Were just finishing our next single called Slow Motion. Were working with Paul and Lou (Sunscreem) again to pull it together. We also have a remix by Van Bellen. Wed like to work with Tricky, Massive Attack and Hybrid. | ||
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The Future of Sugarglider |
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| NAJM: Musically, Sugarglider have their act together in a big way. Mostly working in the studio, do you have any plans to do a tour? | ||
| SUGARGLIDER: We started out as being live band. We did some live gigs, but we havent played live for a long time. | ||
| NAJM: Perhaps if Bee Sting Smile gets as big as everyone says it might, well have you over to do something here in the States? Whats next for your label ADSR Records? | ||
| SUGARGLIDER: Were actually trying to sign some stuff to the label. I dont want the label to just be Sugarglider stuff. We were in America a few weeks ago and we were given some tracks. Im in the stages of licensing their tracks for release over here. | ||
| NAJM: So youre going to focus on building the label? | ||
| SUGARGLIDER: Id like to do at least two singles by other artists before the next Sugarglider record. Just build a label. We need to work on that and sign some good tracks. The rest will come naturally. If you establish a good label, people will buy anything on the label, simply because they know its good music. | ||
| NAJM: I totally agree. | ||
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| Note: NAJM Interviews are the sole property of NAJM Records. |
| No portion of any interview may be reproduced without prior permission of NAJM. |