I hate to say it, but I like this song. I really don’t want to, I mean come on, it’s Jennifer Lopez, movie star – maybe. Dance star – definitely not! The fact that your "seeing" Puff Daddy shouldn’t be a concoction for instant Latin music fame. Maybe she’s done her time in the bottom of the barrel, but probably not. I can only assume I like it because one of New York’s best remixers Hex Hector has totally reworked this otherwise “nothing” of a song.

Injecting a massive jungle, trance beat over Ms. Lopez’s vocals, (eliminating a lot of that unnecessary whoo-oo-oo bullshit that Jennifer likes) Hex spellbinds us with a cross between a vocal and a very mean sounding dub. Can’t say it enough, whether you play the song at the beginning or the end of a night, this mix is going to get clubbers on the floor in droves. The mix is already getting plenty of attention on newsgroups like alt.DJ.com; and people are simply raving that they can’t enough of the song. But why is it that the only part of the mix they remember is the whoo-oo-oo part of the song? Is it that memorable? Apparently so, as “Waiting for Tonight” clubs charts all over the world including the US, Italy, Spain & the UK.